| 201 |
Beverly Hills Cop |
1984 |
Martin Brest |
— |
—
|
|
L.A. |
| 202 |
Trancers |
1984 |
Charles Band |
— |
—
|
|
L.A. |
| 203 |
The Karate Kid |
1984 |
John G. Avildsen |
— |
—
|
|
L.A. |
| 204 |
Night of the Comet |
1984 |
Thom Eberhardt |
— |
—
|
|
L.A. |
| 205 |
Alley Cat |
1984 |
Al Valletta, Victor M. Ordonez, Ed Palmos |
— |
—
|
|
L.A. |
| 206 |
Angel |
1984 |
Robert Vincent O'Neil |
— |
—
|
|
L.A. |
| 207 |
Repo Man |
1984 |
Alex Cox |
— |
—
|
|
L.A. |
| 208 |
Body Double |
1984 |
Brian De Palma |
— |
—
|
|
L.A. |
| 209 |
Love Letters |
1983 |
Amy Holden Jones |
— |
—
|
|
L.A. |
| 210 |
The Man Who Loved Women |
1983 |
Blake Edwards |
— |
—
|
|
L.A. |
| 211 |
Breathless |
1983 |
Jim McBride |
— |
—
|
|
L.A. |
| 212 |
The Seduction |
1982 |
David Schmoeller |
— |
—
|
|
L.A. |
| 213 |
Eating Raoul |
1982 |
Paul Bartel |
— |
—
|
|
L.A. |
| 214 |
Tales of Ordinary Madness |
1981 |
Marco Ferreri |
— |
—
|
|
L.A. |
| 215 |
Modern Romance |
1981 |
Albert Brooks |
— |
—
|
|
L.A. |
| 216 |
Schizoid |
1980 |
David Paulsen |
— |
—
|
|
L.A. |
| 217 |
American Gigolo |
1980 |
Paul Schrader |
— |
—
|
|
L.A. |
| 218 |
Hardcore |
1979 |
Paul Schrader |
— |
—
|
|
L.A. |
| 219 |
When a Stranger Calls |
1979 |
Fred Walton |
— |
—
|
|
L.A. |
| 220 |
The Jerk |
1979 |
Carl Reiner |
— |
—
|
|
L.A. |
| 221 |
California Suite |
1978 |
Herbert Ross |
— |
—
|
|
L.A. |
| 222 |
The Driver |
1978 |
Walter Hill |
— |
—
|
|
L.A. |
| 223 |
The Late Show |
1977 |
Robert Benton |
— |
—
|
|
L.A. |
| 224 |
Fun with Dick and Jane |
1977 |
Ted Kotcheff |
— |
—
|
|
L.A. |
| 225 |
Lifeguard |
1976 |
Daniel Petrie |
— |
—
|
|
L.A. |
| 226 |
The Bad News Bears |
1976 |
Michael Ritchie |
— |
—
|
|
L.A. |
| 227 |
Hollywood Boulevard |
1976 |
Joe Dante, Allan Arkush |
— |
—
|
|
L.A. |
| 228 |
The Last Tycoon |
1976 |
Elia Kazan |
— |
—
|
|
L.A. |
| 229 |
Welcome to L.A. |
1976 |
Alan Rudolph |
— |
—
|
|
L.A. |
| 230 |
Lipstick |
1976 |
Lamont Johnson |
— |
—
|
|
L.A. |
| 231 |
Shampoo |
1975 |
Hal Ashby |
— |
—
|
New Hollywood |
L.A. |
| 232 |
Night Moves |
1975 |
Arthur Penn |
— |
—
|
|
L.A. |
| 233 |
Busting |
1974 |
Peter Hyams |
— |
—
|
|
L.A. |
| 234 |
California Split |
1974 |
Robert Altman |
— |
—
|
|
L.A. |
| 235 |
Chinatown |
1974 |
Roman Polanski |
8.67 |
—
|
New Hollywood |
L.A. |
| 236 |
The Long Goodbye |
1973 |
Robert Altman |
— |
—
|
New Hollywood |
L.A. |
| 237 |
The Mad Bomber |
1973 |
Bert I. Gordon |
— |
—
|
|
L.A. |
| 238 |
The Young Nurses |
1973 |
Clint Kimbrough |
— |
—
|
|
L.A. |
| 239 |
Hollywood 90028 |
1973 |
Christina Hornisher |
— |
—
|
|
L.A. |
| 240 |
Coffy |
1973 |
Jack Hill |
— |
—
|
Blaxploitation |
L.A. |
| 241 |
Sweet Kill |
1972 |
Curtis Hanson |
— |
—
|
|
L.A. |
| 242 |
Pretty Maids All in a Row |
1971 |
Roger Vadim |
— |
—
|
|
L.A. |
| 243 |
The Velvet Vampire |
1971 |
Stephanie Rothman |
— |
—
|
|
L.A. |
| 244 |
Bob & Carol & Ted & Alice |
1969 |
Paul Mazursky |
— |
—
|
|
L.A. |
| 245 |
Targets |
1968 |
Peter Bogdanovich |
— |
—
|
|
L.A. |
| 246 |
The Graduate |
1967 |
Mike Nichols |
— |
—
|
New Hollywood |
L.A. |
| 247 |
The Trip |
1967 |
Roger Corman |
— |
—
|
|
L.A. |
| 248 |
Harper |
1966 |
Jack Smight |
— |
—
|
|
L.A. |
| 249 |
One Shocking Moment |
1965 |
Ted V. Mikels |
— |
—
|
|
L.A. |
| 250 |
The Defilers |
1965 |
David F. Friedman, Lee Frost |
— |
—
|
|
L.A. |
| 251 |
Lady in a Cage |
1964 |
Walter Grauman |
— |
—
|
|
L.A. |
| 252 |
The Facts of Life |
1960 |
Melvin Frank |
— |
—
|
|
L.A. |
| 253 |
Private Property |
1960 |
Leslie Stevens |
— |
—
|
|
L.A. |
| 254 |
Murder by Contract |
1958 |
Irving Lerner |
— |
—
|
|
L.A. |
| 255 |
Hell Bound |
1957 |
William J. Hole Jr. |
— |
—
|
|
L.A. |
| 256 |
The Fuzzy Pink Nightgown |
1957 |
Norman Taurog |
— |
—
|
|
L.A. |
| 257 |
The Scarlet Hour |
1956 |
Michael Curtiz |
— |
—
|
|
L.A. |
| 258 |
Kiss Me Deadly |
1955 |
Robert Aldrich |
— |
—
|
Hollywood Noir |
L.A. |
| 259 |
Crime Wave |
1953 |
André de Toth |
— |
—
|
|
L.A. |
| 260 |
The Blue Gardenia |
1953 |
Fritz Lang |
— |
—
|
|
L.A. |
| 261 |
Angel Face |
1953 |
Otto Preminger |
— |
—
|
|
L.A. |
| 262 |
The Bigamist |
1953 |
Ida Lupino |
— |
—
|
|
L.A. |
| 263 |
Without Warning! |
1952 |
Arnold Laven |
— |
—
|
|
L.A. |
| 264 |
The Prowler |
1951 |
Joseph Losey |
— |
—
|
|
L.A. |
| 265 |
He Ran All the Way |
1951 |
John Berry |
— |
—
|
|
L.A. |
| 266 |
Sunset Boulevard |
1950 |
Billy Wilder |
9.00 |
—
|
Hollywood Noir |
L.A. |
| 267 |
Whirlpool |
1950 |
Otto Preminger |
— |
—
|
|
L.A. |
| 268 |
Dark City |
1950 |
William Dieterle |
— |
—
|
|
L.A. |
| 269 |
Criss Cross |
1949 |
Robert Siodmak |
— |
—
|
Hollywood Noir |
L.A. |
| 270 |
Too Late for Tears |
1949 |
Byron Haskin |
— |
—
|
|
L.A. |
| 271 |
Shockproof |
1949 |
Douglas Sirk |
— |
—
|
|
L.A. |
| 272 |
Pitfall |
1948 |
André de Toth |
— |
—
|
|
L.A. |
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